Filipe Furtado is a film critic, and theex-editor of film magazines Cinética and Paisá. He runs the blog Anotações deum Cinéfilo and he has written for vehicles such as Contracampo, Filme Cultura,Teorema, Zingu, The Film Journal, La Furia Umana, Lumiere and Rouge.
My Name is Tonho: A western of Hunger
My Name is Tonho (1969) was Ozualdo Candeias’s big follow up to his well-received debut The Margin (1967).
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In 1974, Sérgio Ricardo’s A Noite do Espantalho, shot entirely in the Brazilian state of Pernambuco, was shown at the New York Film Festival. It was not until forty five years later, when Kleber Mendonça Filho and Juliano Dornelles’s Bacurau came to the New York Film Festival in 2019, that Ricardo returned to New York City, this time through song.
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This past September, the staff of Limite had the opportunity to conduct an interview with the Workers of the Cinemateca Brasileira (Trabalhadores da Cinemateca Brasileira) , the collective representing the archivists and staff of Brazil’s largest film archive, who have been fighting for nearly an entire year for the survival of this vital institution.
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The following interview took place with archivist Hernani Heffner on July 4th, 2020. Heffner has been working at Rio de Janeiro’s historic Cinemateca do MAM since 1996 and is one of Brazil’s most important film archivists.
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