Michel Schettert (Belém do Pará, 1989) is a filmmaker. He researches the transmediality of audiovisual artistic languages. He has training in Communication, Photography, Radio and TV, Advertising, Cinema, Visual Arts, Musical Production and Digital Audiovisual Contents. Currently, Michel works as the content coordinator for the project "Sérgio Ricardo Memória Viva", an online collection dedicated to Sérgio Ricardo activated by the engagement of social networks.
Golpe de Vista
Golpe de Vista. Golpe de Vista examina um dos pontos centrais da história do cinema brasileiro, sendo este o sucesso internacional de O Pagador de Promessas, o ilustrando com imagens de Duarte absorvendo o sucesso de seu prêmio em Cannes.
/ INTERVIEWS A/V/ ARTICLES
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/ ARTICLES A/V
In 1974, Sérgio Ricardo’s A Noite do Espantalho, shot entirely in the Brazilian state of Pernambuco, was shown at the New York Film Festival. It was not until forty five years later, when Kleber Mendonça Filho and Juliano Dornelles’s Bacurau came to the New York Film Festival in 2019, that Ricardo returned to New York City, this time through song.
/ INTERVIEWS
This past September, the staff of Limite had the opportunity to conduct an interview with the Workers of the Cinemateca Brasileira (Trabalhadores da Cinemateca Brasileira) , the collective representing the archivists and staff of Brazil’s largest film archive, who have been fighting for nearly an entire year for the survival of this vital institution.
/ INTERVIEWS
The following interview took place with archivist Hernani Heffner on July 4th, 2020. Heffner has been working at Rio de Janeiro’s historic Cinemateca do MAM since 1996 and is one of Brazil’s most important film archivists.
/ INTERVIEWS
