Esther Hamburger is Professor of Film and Television History and Theory at the School of Communications and Arts of the University of São Paulo. She has a PhD in Anthropology, University of Chicago. Working on the confluence of Anthropology and Film and Media Studies she deals with different ways in which the production and circulation of moving images and sounds takes part of contemporary transnational, transmedia, and transcultural life. She has published a book and a number of book chapters and journal papers.
Introducing Menino da calça branca and Esse mundo é meu
Sérgio Ricardo’s debut short film Menino da calça branca (1962) and his first feature-length film Esse mundo é meu (1964) can together be thought of as sensorial film experiences1 for their unusual combination of elaborate soundtracks and experimental cinematography.
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